Repertoire

  • My Vintage Valentine

    My Vintage Valentine was a full-length evening dance production choreographed by Conner Horak-Flood and Jenna Smith. The show was a collection of Valentine vignettes with macabre twists harkening back to the Hammer Horror comics and classic Universal Monster movies.

    A blood-sucking picnic, a gender- bending CLUE mystery, some homicidal bridesmaids, along with a heart-wrenching visit from a ghost of a past love, all lead up to a wedding of the undead. Audiences enjoyed this mix of spooky and comedy set to a diverse soundtrack including classical, folk, and rock and roll hits which premiered at Fort Collin’s newest venue, The Neighbor!

  • A Touch of Whimsy: Memoirs of a Coffee Table

    A Touch of Whimsy: Memoirs of a Coffee Table was an evening length contemporary ballet created by The Soda Shop Movement Company co-directed by Conner Horak-Flood and Jenna Smith. With choreography by Conner Horak-Flood, the show served as an introduction of Fort Collins’s newest professional dance company to Front Range audiences! Theatergoers followed six different characters and their experiences in an all-night coffee shop through thrilling, inventive, and athletic movement. With an eclectic soundtrack featuring everything from” Bach” to “The Eagles,” this performance took audiences on an adventure that left them wanting more!


  • Wayward

    Wayward is a full, evening-length contemporary ballet with an eclectic score and original choreography by Conner Horak-Flood and Jenna Smith. The show is a journey into the complicated relationships we have around faith, community, and identity, centering around one Sunday morning when a community attends a church service. But the show is NOT religious. Instead, Wayward aims to delve deeper into the human experience through the lens of organized religion. How does an environment that demands complete devotion, ritual, and vulnerability collide with the reality we face today? With a tender heart and the reverence this sensitive subject demands, Wayward examines this question with virtuosic dancing over pews, at a baptism, and in confessional booths.


    With music ranging from Bach to Billy Joel to the Eurythmics, Wayward examines and challenges how traditions and expectations shape who we are, how we love, and where we find belonging in a time when we seem so divided.



“Truly one of the most beautiful pieces of dance I’ve ever witnessed. From the storyline to the movement to the music. It was unique, touching, funny, relatable.”